
Just back from Kolkata after shooting for her first Bengali film, 'Sab Charitra Kalpunik' (All Characters Imaginary)' by Rituparno Ghosh, Bipasha almost swoons at the mention of her favourite singer.
'I am a diehard fan of Atif from the time he sang 'Tere Bin' and 'Doori'. I wish he would sing for me some day. I listen to his albums in my car all the time and so when I heard about the track 'Jaan-e-Jana' in 'Race', I knew only Atif could do it,' she said.
Bipasha not only recommended Atif for the song but also urged the film's producers to sign up her favourite singer. 'And why not? Atif has a deal with Tips, which is producing 'Race'. So this was my golden opportunity to get Atif into one of my films. And now 'Jaan-e-Jana' is my favourite song in 'Race'.'
Talk about the crackling chemistry the actress shares with Saif Ali Khan in 'Race', Bipasha lights up. 'It's a slick sensuous thriller and I share good chemistry not only with Saif but also with Akshaye Khanna. I was working with both Saif and Akshaye for the first time. They're good actors.'
'It's been really hectic for me. We worked on Ritu's film on a very tight schedule. I loved my role and the chance to speak in my mother tongue for the first time. I also shot in Santiniketan. It was something I really looked forward to. Unfortunately, I was there for just two days and it was raining all the time. I reached late in the night, shot the whole day and returned to Kolkata.'
Bipasha has a lot to look forward to in 2008. 'Besides Ritu's film, which gives me a completely new image, I have one more Bengali movie, Shudipto Chattopadhyay's 'Pankh', lined up. It's a very disturbing film about a child actor, who grows up thinking he's a girl. I play his muse. I play myself. It's a very different film. Then of course, there's 'Race' with Abbas-Mustan.'
Bipasha started her career with Abbas-Mustan and hopes to work more with the duo. 'In fact, I've an incomplete film 'Mr Fraud' with them. It is a full-on comedy with Sanjay Dutt, Ajay Devgan and Anuuj Sawhney. I'm ready to give dates whenever Sanju and Ajay find time. But they're so busy, and so am I,' the actress said.















Wedding of Ashwariya and Abhishek seems like a marriage out of a fairy tale and now it’s going to be a year to their marriage and guess what? They are going to celebrate it in Miami when they got married they went to Venice for honeymoon now what next? A trip to the moon on their next anniversary I guess! Abhishek and Aishwarya Rai Bachchan will be in Miami for their first wedding anniversary next week. Not that they planned so. "It just happened," says Amitabh Bachchan. "Abhishek is shooting in Miami for 'Dostana' on their marriage anniversary. And Aishwarya is going to be with him," Amitabh Bachchan told IANS. "We'll get them by a new technology called skyscape to speak from Miami to mediapersons in Mumbai at the launch of 'Sarkar Raj' - which happens to be on the same evening as their wedding anniversary," he said. "Sarkar Raj" director Ram Gopal Varma says it was just a coincidence that the unveiling of his film will take place the same day. "I didn't even remember it was Abhishek and Aishwarya's wedding anniversary on April 20. We decided to do the First Look party of 'Sarkar Raj' on this day because it was six weeks before the release," said Varma. "It's just a coincidence. I don't keep track of anyone's birthdays and anniversaries, not even mine."Ramu is excited about something else too. "This is the first time the actors of an Indian film will be connected to the media via satellite. We're doing it through a technology known as skyscape. I think it's very exciting to reach out by modern technology in this way. Aishwarya and Abhishek will be live from Miami in Mumbai." However, Big B will be present at the Mumbai event. Tell Ramu that the "Sarkar Raj" event will be eclipsed by the excitement over its lead pair's wedding anniversary, and he shrugs. "It doesn't matter. We cannot separate Abhishek and Aishwarya's life from 'Sarkar Raj'. Very soon after the First-Look event we'll have the music release. T-Series is releasing the music soundtrack."
KAREENA KAPOOR'S sudden price hike has thrown Bollywood into a tizzy. If tinsel town is all about the moolah, then Kapoor seems to be ruling the roost. Success of Jab We Met has allowed this queen-in-waiting the opportunity to sink her teeth into that elusive pie. And what's more, the producers are falling over themselves to meet her demands at her price!
The Indian national football team captain, Bhaichung Bhutia, barely squeezed in 11 minutes of the mandatory 15 minutes of fame for his principled decision not to carry the Beijing bound Olympic torch in Delhi on April 17. 
After gyrating to the sizzling ‘Jaane Kyun’ in Samar Khan’s Shaurya, Rozza Catalano is now gearing up to set the screen ablaze in Parto Ghosh’s Ek Second Jo Zindagi Badal De.
Lata Mangeshkar coming back for an entire album? And that too with Javed Akhtar? Now that's good enough for one to have mammoth expectations from 'Saadgi', an album that marks the return of Lata after a hiatus. With newcomer Mayuresh Pai composing each of the 8 tracks from the album and Farhat Shahzad, Meraj Faizabadi and Chandrashekhar Sanekar contributing as lyricists, 'Saadgi' is ready to roll. The very beginning of 'Mujhe Khabar Thi' makes it quite obvious that this one is a 'ghazal' in the offering. In fact by the time you are mid-way into song, you start wondering if 'Saadgi' would be an out an out 'ghazal' album, considering the fact it marks the return of Lata who would certainly wish to do something different from what she has done in last few years. Boasting of sensitive lyrics by Farhat Shahzad and a beautiful tune set by Mayuresh Pai, 'Mujhe Khabar Thi' seems like just the right song for Lata to open the album.The thought around 'Saadgi' being a 'ghazal' album seems to be coming true with 'Ishq Ki Baatein' being a second successive track that follows the same genre. A track about love being a distance away that only brings with it some pain and tears, 'Ishq Ki Baatein' by Javed Akhtar is for the lonely hearts. To the credit of Mayuresh, he keeps a consistent feel for 'Saadgi' hence ensuring that the album maintains its quality. Yet another painful track follows next in the form of 'Raat Hai'. A track about a perfect night still being incomplete due to absence of the one you love most, 'Raat Hai' follows the same music theme as heard earlier though a small part of the arrangements sees a Spanish tune being played. Javed Akhtar is at the helm of writing once again as he makes sure that his short and sweet sentences are sung emotionally by Lata. Lata's 'aalaap' at the very beginning of 'Chand Ke Pyale Se' makes you remember innumerous tracks that she has heard for Yash Raj Films in the past. Yet another song for the night with moon and it's moonlight being the center of attraction, 'Chand Ke Pyale Se' is a soft number for the ones who are in love. Javed Akhtar makes sure that he spins a tale of love which is pure, beautiful and endless. A happy track when compared to the three which were heard before, 'Chand Ke Pyale Se' turns out to be a better outing. Mood of the album takes a deviation with a philosophical angle coming into play. 'Andhe Khwabon Ko' is about maintaining self control over one's desires, looking at a world being a better place and aiming for being content with whatever little that one has. Well, this time around, except for lyrics by Meraj Faizabadi there isn't much that impresses a listener. Lata of course sings the track with all the right emotions but the song is such which could perhaps be more engrossing when read than heard. Lata from the past is heard in 'Jo Itne Kareeb Hai' which is a beautiful love song written by Javed Akhtar. Some of the gems go as - 'Hum Unki Mohabbat Paane Ko Har Baat Ganwara To Kar Le, In Baaton Se Wo Aur Agar Magroor Huye To Kya Hoga'! In fact more one hears the track, more one can remember songs belonging to this genre that Lata had sung in late 70s/early 80s. A track about complete surrender to the one you love most, 'Main Kahan Ab Jism Hoon' is written by Chandrashekhar Sanekar. One of the dullest songs in the album so far with neither the composition nor singing making much of an impression, 'Main Kahan..' turns out to be a drag that is best ignored. Agreed that Mayuresh has looked at the flow of the album being consistent but 'Main Kahan...' doesn't quite work. Meraj Faizabadi returns to writing with 'Phir Kahin Door Se' that carries on the mood similar to that of 'Main Kahan..'. The difference here though is that Lata is heard in relatively higher pitch that saves the track from getting into complete boredom. Though yet again the song is about complete surrender to the loved one, Phir Kahin Door Se' comes across as a track with sad connotations. 'Saadgi' is mainly for the broken hearts who wish to drown their sorrows away by listening to Lata's voice in the dead of the night with painful lyrics only added to the pain. For those looking out for some lovely melodious tracks, there isn't much to look forward to but for those who love to weep a tear or two in isolation, 'Saadgi' could well be the one.








